Jokerlady01

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Veterinarian, fanfiction author (Jokercentric), amateur writer, artist, painter, comic book collector, movie addict, loves animation and traditional art.

Oct 112012
 

nyccbat13-1It was past midnight and could not help myself.  Even when I have a few copies of BATMAN #13 reserved and waiting for me at home in Fla.  I had to read it so I bought a digital copy and OMG!!!

You have to start reading this Joker story arc.  I was a little concerned with the characterization after all the radical changes they have made to Joker since his reboot, but after reading BATMAN #13 I guess I can put my fears aside because Joker seems to be in good hands with Snyder and Capullo.

This is definitely no pre-52 Joker but is not a Ledger Joker remake either (thank God for that).  Like Snyder  had promised, this Clown is all Joker at the core but reinvented with a nightmarish twist and so far I am pleased with wha I’ve read in this first issue.

SPOILERS AHEAD…BE WARNED!!             SPOILERS AHEAD…BE WARNED!!

1.  It is a normal day in GCPD until a “Forget Me Not” delivery truck arrives with a very special package…

Truth be told.  Joker’s wa arrival to GCPD  was quite theatrical.  From theirony in the name on the truck to the whole set up, it is all just a big performance for the Clown.  He enters GCPD and delivers his own brand of mayhem and death leaving corpses behind and torturing Gordon along the way.  This Joker is much more personal as he asks “How is Barbara?” and teases Gordon with a hide and seek game.

2. Everything returns to the begining.

And when I say the beginning, I mean the 1940’s beginning, as Joker announces he’s going to take down the mayor in a scene that reminds readers a lot of Ledger’s “Are You the Batman” video scene from TDK.  The Joker has spoken, but that does not mean he has to follow the same old script he did so many years ago. This Joker is improvising, renewing his act andthis time it is not the Mayor, but the Mayor’s protective escort who get snuffed.  Batman is left in the fog, as he himself realizedhis was not what he has expected. The Clown has become really unpredictable.

3.  Harley as the Red Hood…just delightful.

She’s wearing the clothing, but she’s not the heart.  It is the Joker’s voice all through the re-enactment at the ACE Chemical company.  Joker is bringing everything back to the beginning and Harley serves as messenger that things are now very different as she stated…”this is not my Mr. J” anymore.  This scene makes much more sense after reading the backstory which is Joker’s reunion with Harley…and the new chemistry that comes between them.  Now if this is not Joker….where the hell is the Clown?

4.  The ending… totally AWESOME!

Joker makes a visit to the Wayne Manor and finds Alfred Pennyworth an unwilling victim.  Makes you wonder if Joker DOES INDEED know Batman’s identity or he’s simply selecting random victims he knows are somewhat related to the Batman…

5.  The backstory…literally terrifying.

Forget the Harley-Joker chemistry of the BTAS, this is just humilliating and taunting.  Joker plays with Harley in every level possible, beating on her emotionally and mentally…all this without a single punch or push.  Joker reminds Harley HE MADE HER to his image, and that there was no emotion or physical attraction in the process of creation.  Joker is totally detached from any emotion as he focuses on Harley as part of a plan, much like a wheel is part of a car.  I am sorry for those of you who were expecting a…more romantic reunion, but I think this Joker is more attoned to his reality within the comics.  I am not saying they should not be together…is just that this Joker has become much more than one can really handle, even Harley.

I personally think that Snyder and Capullo have been able to bring forth the best of all posible worlds (comicverse, Nolanverse, Arkham City, maybe even more) and mix it in a pot to reinvent a Joker that respond to his surrounding world with such a violence that I don’t know if even Batman knows what he has in his hands.  And it promises to get even more personal.

It is really early to say if this story arc is going to be successful or not since many Joker stories started with so good intentions only to disappoing on the execution and conclusion, but while speaking with Mr. Snyder briefly during a signing today, he promised  that there is much more to come.  That Joker’s revenge has just started and that the Clown’s mind was a “strange and dark place to be”.  From previous interviews and what I have just read in this issue, I think he does have a grasp of the Joker’s psyche, and this might just be one of the most interesting exploration of the most iconic villain of all times, and this might change Batman deeply as he is unable to keep Joker far, but instead…like a cobra, the clown keeps hissing and attacking at the Achilles’s tendon of his enemy.

I am willing to follow Snyder and Capullo on this journey so far.

Can’t wait to read what happens in the next chapter….oh, and don’t forget the tie-ins! Let’s see where all this takes us.

Oct 102012
 

Well, Jokerholics….

mynycclogoNYCC is here and I am heading over to enjoy 4 long days of pure comic, horror, fantasy, and art in the heart of the Big Apple.  I will try to report daily and upload pictures of my encounters with my friends at Comic Dom as well as some nice pics of NEW YORK.  This is my first visit to Manhattan, so I probably load myself with millions of pics…like a typical tourist.

If anyone of you my friends is nearby…look for the big lady in the Joker shirts.  That would be me, having fun.  Hope to see some of you my friends over at the convention.

Time to go now…have a plane to catch…

Oct 102012
 

#1  

Ryan K Lindsay had the great honor of reading BATMAN #13 and shared his insight with the crew at CBR this week.  His assertive comments makes my anxious self calm down a little, maybe this will not be a flop, but the beginning of a new chapter in Joker characterization and writing.

WARNING!! SPOILERS AHEAD!!                     WARNING!! SPOILERS AHEAD!!

jokers-back“Batman” #13 kicks off “Death of the Family” as Scott Snyder and Greg Capullo introduce their take on the Joker. After a year’s absence from the DCU, the Clown Prince of Crime returns to bring his deadly humor to Gotham and the Bat family. Joker is the obvious choice for a Bat villain and most “Batman” creative teams take a shot at the character. With this weight behind them, Snyder and Capullo manage to craft an intensely horrifying and delightfully creative set up for an amazing Joker story.

The issue opens with a worried Jim Gordon, whose fears come to gruesome life when the Joker suddenly appears in Gotham City Police Department as the lights go out. Snyder’s densely structured action makes readers feel the palpable tension and violence of the moment. Pages run up to twelve panels to slow down each beat of the Joker’s maniacal plan within the darkness around Commissioner Gordon. Snyder emphasizes that while the Joker’s presence is one of brutal violence, the true underlying terror comes from knowing the psychological manner in which he destroys his victims. It’s a shiver-worthy moment when the Joker reveals how close he is to his marks.

Snyder offers a familiar and comfortable, yet completely new, take on the Joker and keeps the brutality on a high stakes level. The scene of the Joker on television re-enacting his first threat to Gotham is delivered in a terribly dastardly way — a testament to Snyder’s handle on the character’s voice.

Over the past year, Greg Capullo and Jonathan Glapion have demonstrated their profiency in the world of Batman. Snyder’s story allows them to depict an even darker edge of Gotham and they bring the horror. Brilliantly, the art doesn’t try to revel in the goriness of the danger, but rather the underlying visceral horror of the mind. Capullo and Glapion give a peek at how the art team renders the standard Joker in an early panel, which makes the shocking reveal at the end all the more frightening.

The back up co-written by Snyder and James Tynion IV with Jock on art is superb. It’s difficult to compare a six-page tale to the 20-page main feature because each is structured to do something different. The bulk of this issue starts an arc and sets all the pieces in motion. The co-feature is like a deleted scene presented for more character background. It’s set between the raindrops of the main title, which means the reader knows what is going to play out, but the story is more about how it all takes place. “Tease” is about the Joker bringing Harley Quinn into his plan with a pace and razor edge tension that creates an example of a perfect back up. It adds more to the main tale while not being overtly necessary. This is a perfect vignette in every single way.

“Batman” #13 is the sort of introduction every story deserves. The Joker is dramatically presented and reintroduced across multiple scenes. Snyder and Capullo deliver some excellent sequences of terror that cut to the quick of the Joker as a real threat. Apart from a few slower pages, this issue zings along with threats and terrible moments of sheer glee at a villain being the worst. The Joker is out to kill the whole Bat family — and this issue makes it feel like he might be able to pull it off.

Man….I can’t wait to read this issue now!!

(Orignal aticle appeard in CBR HERE.  Pictures courtesy of Comicvine)

 

#2

Another great review from Newsarama’s own David Pepose adds to the anticipation of the release of BATMAN #13 tomorrow.  Check this one out…David gives it a 10 out of 10!!! I am intrigued indeed:

batmanrobin15Scott Snyder and Greg Capullo’s first arc was to bring back the Bat — to show that he was the top dog, the biggest badass of the DC Universe. By the end of “Night of the Owls,” that mission was handily accomplished. And now, for their second epic on Batman, Snyder and Capullo are upping the ante even further.

You can almost hear the sick chuckle. The Joker has returned to Gotham City — and like any good showman, his entrance is pitch-perfect.

While I enjoyed Scott Snyder’s plotting and pacing during “Night of the Owls,” there was always a part of me that felt that it was Greg Capullo that really made that story, that it was a hit more because of the stellar art rather than just the writing.

Well, Scott Snyder is making me eat my words right now — his Joker is downright terrifying, a monster in the shadows that very much evokes Heath Ledger’s guttural anarchist from The Dark Knight. “Stop me if you’ve heard this one before!” Snyder’s Joker is a shark, a force of nature that by his very gravity pulls in the rest of the Batman family in his wake. For better or for worse, he is a member of Bruce Wayne’s nearest and dearest — in Snyder’s hands, the Joker gives everyone else context.

And that’s just the exposition. There’s plenty of suspense and action to this book, with Snyder and Greg Capullo really knocking it out of the park. I love the strobe effect Capullo works in as the Joker begins picking off victims in a darkened room. Capullo’s edgy lines also really bring up the heightened tension as Batman shouts his frustrations — and his fears — into the darkness. There is one moment near the end where the storytelling does take a hiccup, but a second reading will only heighten the danger Batman finds himself in.

Since the New 52, Batman has been blessed with an indomitable winning streak, thanks to Scott Snyder and Greg Capullo. But it’s even more exciting that this issue is their best one yet. The Clown Prince of Crime might be at his most murderous, but make no mistake — he’s going to put a smile on your face.

(Review originally appeared HERE)

Oct 012012
 

CBR announced to day that artist Greg Capullo will be issuing DIE CUT COVERS for the multititle story arc “Death of the Family” that launches with BATMAN #13  in October 10th.  Here is the CBR report:

When Batman’s arch-nemesis makes his return to the Dark Knight’s world this fall, the Joker will be coming with a horrific new “face mask” made up of his own torn off skin. And to help accentuate the frightening feel of the “Death Of The Family” event that kicks off with October’s “Batman” #13, DC Comics has tapped series artist Greg Capullo to draw a series of special die-cut covers featuring the faces of Batman’s closest allies.

Below, CBR News has an exclusive first look at Capullo’s art for the covers. Capullo’s art graces “Batman,” “Batgirl” and “Catwoman” #13 in October, “Suicide Squad” #14 in November and “Detective Comics,” “Batman & Robin,” “Nightwing,” “Red Hood & The Outlaws” and “Teen Titans” #15 in December.

When he spoke with CBR earlier this month, Capullo called the cover creating process “a bit of a challenge. The die cut itself had to have straight edges. The other challenge was working within the limitation of using only have of a characters face and reusing the same angle for all. Trying to show individual personalities within these confines. I think I pulled it off.”

(Original article by Kiel Phegley. To see full size pics, visit CBR HERE)

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Oct 012012
 

whoisyourdaddy

…and so George was forced to change a few things on the script….

I know…I rarely post no-Joker stuff  on this site, but seeing how hilarous this is, I thought the Clown will be pleased to have a  laugh at Vader’s expense.  After all this site is villain friendly….as long as the Joker wants to be friendly.

Sep 302012
 

OK Jokerholics,

Are you all ready for the Clown Prince of Crime’s return? If you are, then get your release dates clear as DC has revealed the whole “DEATH OF THE FAMILY” checklist.  No excuse for missing an issue now, right?

jokers-back

OCTOBER 2012

  • BATGIRL #13 (Prelude to “Death of the Family”)
  • CATWOMAN #13 (Prelude of “Death of the Family”)
  • BATMAN #13

NOVEMBER 2012

  • BATGIRL #14
  • BATMAN #14
  • CATWOMAN #14
  • SUICIDE SQUAD #14

DECEMBER 2012

  • BATGIRL #15
  • BATMAN #15
  • BATMAN AND ROBIN #15
  • DETECTIVE COMICS #15
  • RED HOOD AND THE OUTLAWS #15
  • SUICIDE SQUAD #15
  • TEEN TITANS #15

JANUARY 2013

  • BATGIRL #16
  • BATMAN #16
  • BATMAN AND ROBIN #16
  • DETECTIVE COMICS #16
  • NIGHTWING #16
  • RED HOOD AND THE OUTLAWS #16
  • TEEN TITANS #16

FEBRUARY 2013

  • BATMAN #17

(Checklist courtesy of DC Blog)

 

Sep 302012
 

Our friends from NEWSARAMA have made a nice rummary of the facts we have about Joker’s return, and bring forth some of the worries some of us have regarding the Clown’s return. Here is a transcript, make your own conclusions:

Now that all the Batman family books have revealed their #0 issues, the stage is set for October’s start of “Death of the Family,” which brings Joker to the Bat-books in a big way.

The event, which will have tie-ins in several DC comics, spins out of a story starting in Batman #13 by Scott Snyder and Greg Capullo. After the success of their “Court of Owls” storyline and the subsequent tie-in event “Night of the Owls,” DC is hoping this event will be even bigger.

Snyder is getting to utilize his favorite Batman rogue for his follow-up to “Court of Owls,” calling this the biggest, most impactful Joker story in years.

“This is really my big exploration and love letter to the Joker,” Snyder told Newsarama.

So what clues have we been given about the New 52 version of The Joker? How will his return impact the Bat-family characters, now that their histories have changed? And what have the Bat-writers been hinting about their tie-ins to “Death of the Family?”

Secret Identity

At the heart of the “Death of the Family” storyline appears to be the question of whether or not The Joker knows the identities of the Bat-family and, in turn, Batman himself.

The solicitations for the “Death of the Family” issues of Batman includes this question: “What must Batman do to protect his secret identity and that of those who fight alongside him?”

Scott Lobdell also revealed a similar description to Newsarama in our recent interview:

“Joker may or may not know your identity, and that is maybe the most horrifying part,” Lobdell said. “Imagine, as crazy as the Joker is, you can at least go to bed secure in the knowledge that once you take off the mask you are a little safer. But if he knows who you are….aiyeee!”

Changed Joker?

Although there have been several changes to DCnU characters thanks to last year’s reboot, Snyder indicated in an interview with Newsaramathat this isn’t a different version of the Joker.

“You will see the iconic face and the grin, and he might look a little bit different and scarier,” Snyder said. “But you’ll find that he’s still himself at his core. And he’s really here in his blood-stained clothes going to work.”

The history of the relationship between The Joker and Batman — like The Joker being his greatest enemy and the terrible things he’s done to Jason and the other members of the Bat-family — are still a part of the DCU history. And according to Snyder, they fuel this storyline.

And although The Joker has been gone from the pages of the DCnU for the last year, according to Snyder, he’s been spending that time planning and planting traps. “A year ago, Joker decided, I’m going to walk away from Gotham, I’m going to plan my revenge, and I’m going to come back in a year and bring it all back,” the writer said. “So this is what he’s been planning to do for a long time. And all of those things are set in motion.”

“Of The Family?”

While Snyder has promised that the story in Batman will be “100 percent self-contained,” the story crosses over into several other titles.

From the latest solicitations, we’ve learned that Joker’s revenge is not just aimed at the good guys. Harley Quinn apparently wasn’t involved in the planning by “Mista J,” because DC is touting their “reunion” in Suicide Squad #14 and #15. The Joker will also target a few of Gotham’s criminals in Catwoman #13 and #14, Detective Comics #15 (The Penguin), and the back-ups of the Batmantitle.

As James Tynion IV told Newsarama earlier this week, “There’s always something electric when two iconic villains are on a page with one another, and when one of those characters is The Joker, that electricity is quite a bit more deadly.”

Former Robin Dick Grayson will be confronted by The Joker in Nightwing #15 and #16. Series writer Kyle Higgins told Newsarama that Barbara Gordon/Batgirl shows up within the Nightwingstory.

“The Joker story is really a huge turning point and changes a lot of things” for Nightwing”, Higgins said. “There will be seismic shifts coming out of the Joker story.”

The Joker also gets to battle the current Red Robin, Tim Drake, in Teen Titans #15 and #16, and the current Robin, Damian Wayne, in Batman and Robin #14 & 15.

But perhaps the most anticipated reunion will be those between The Joker and the two more immediate members of Batman’s heroic family who have been traumatized by him in the past.

As readers found out in Red Hood and the Outlaws #0, Jason Todd is more closely connected to The Joker than her realizes. Joker claims that he orchestrated most of the major events in Jason’s life, from his father going to jail to his mother’s OD on a drug laced with a chemical that simulates death. It appears that The Joker built Jason up, just so he could tear him down.

This adds more gravity to their meeting — something Lobdell hinted about in his interview with us. “Joker feels a lot closer to Jason than people have realized. Giving birth to someone is a very intimate experience, but so too is taking their life. In that way, Joker feels a sort of proprietary relationship with Jason that he doesn’t with any of the other Bat-family.”

In Batgirl, readers will also finally see the resolution of Barbara Gordon’s conflict with The Joker, although series writer Gail Simone is reluctant to say it “resolves” the emotional trauma she’s been portraying within Barbara for the last year.

“‘Resolved’ is kind of a tough word, here,” Simone told Newsarama in July. “There’s definitely a feeling out there regarding this stuff that someone is fixed or not fixed, like an on/off switch. It’s not that binary, but she is facing this stuff head on. And I am pretty sure a Joker/Batgirl story is inevitable, but I can’t say more than that. Think of two trains on the same track facing towards each other…there’s nowhere for either of them to go but towards collision.

“It is the once-and-for-all confrontation between the Batgirl and the man who shot and paralyzed her. It does not go as he expected,” she said.

“This story starts in issue #14, and I have to say, it’s pretty shocking. That’s all I’ll say right now, however.”

The Mask of Joker

One of the most obvious changes to the Joker we’ll see in “Death of the Family” is that he’s wearing the loose skin of his face as a mask.

“He really is going to, obviously, have a new look. At the same time, we want it to echo his iconic look,” Snyder told Newsarama. “So it’s Joker in a much more horror movie fashion.”

In Detective Comics #1, released in September 2011, a villain called Dollmaker literally surgically removedthe skin of The Joker’s face at the end of the issue. The police ended up with the “face” and put it on ice, but The Joker himself had gotten away…. and has apparently been walking around the DCU without a face ever since.

Or perhaps he has been wearing a different face? Maybe even the face of someone close to the Batman family?

It’s doubtful, since Snyder didn’t build this story from the Detective ending. He told Newsarama his “Death of the Family” story was formulated before Detective writer Tony Daniel chose how to end his first issue last year.

Thanks to that ending, The Joker has not been seen again in the New 52 universe until just last month in Detective Comics #12, when only his eyes were shown and he said, “Time to put on a happy face.”

So what will Joker look like when he returns?

On the cover of Batgirl #15, DC revealed the basics of how the Joker will now “wear” his familiar smiling face. He has constructed a mask out of the skin of his face, using hooks and a belt wrapped around the back of his head.

But artist Greg Capullo intends to make that look even creepier than we’ve seen on that cover. “I’ve established the main look with the belt in the back and the hooks in the mouth, kind of holding everything in place, but think about that,” he told CBR. “You move in different ways, and that skin can shift on you. Maybe a hook busts loose, and part of your face is flapping free.

“I’ve even talked about the fact, with Scott, that being that the face isn’t on ice in Gotham P.D. evidence anymore, it’d start to decay, right?” he said. “And things that decay stinks a bit and attracts flies, and it might be cool for little touches with flies swimming around his head here or there. It can change is what I’m trying to say. It’ll probably look different through the story than the prototype face you’ve seen so far.”

But perhaps the most telling comment Capullo has made about the way Joker will look was in his Newsarama interview a couple months ago, when he said, simply, “it’s going to be over-the-top, over-the-edge Joker stuff.”

 

(Copied from original article by Vaneta Rogers for NEWSARAMA HERE)

Sep 282012
 

HELLO JOKERDOM!.

I finally have my computer back after it recoved from a serious virus infection and that means me back into the desk getting all the Joker stuff I can get my hands into.The first thing was to get a hold of DC’s latest animated movie DARK KNIGHT RETURNS part 1 and have to say that the piece is really magnificent.

tdkr01

You all SHOULD DEFINITELY have to watchi this movie.

Most of the casting is new, but James Woods makes a return to dub the Dark Knight making a great impression on me.  I think that after Kevin Conroy’s decades of doning the black suit, the character could not have fallen into a better set of hands.  Woods inflection sends this Caped Crusader into a much darker place, while keeping Batman faithful to its gritty nature.  Batman is a man of action, not words but GOOD LORD…when he speaks you better listen.

I also applaud the rest of the cast for a wonderful job, especially that of David Selby (Gordon) and Ariel Winters (Robin).

The whole movie does a nice job of giving dimension to a story that already was leaping from the pages of the graphic novel for it’s intesity, theme and characterization. They don’t only keep Frank’s characteristic art style, but the added scenes that join the ‘panels’ from the novel, give the movie a very smooth continuity.  The story did not seem forced, but fell into place even with the added artistic freedom to reinterpret the classic.

Miller’s story was multilayered. From dealing from aging in a world like Gotham, to doing what is right and heroism to the meaning of friendships and to the chaos both Mutants and Joker will bring to the city. No wonder the best decision was to divide this into two distinct movies.  There could not be enough time to explore all the ideas Miller brought and the movie does a very good job and refreshing those very themes.

Definitely I think this is a great movie and an outstanding reimaging of Frank Miller’s classic.

Now, let’s talk about Joker…

He hardly participates in the movie, as he slowly wakes up from a semi catatonic stage where he has been since Batman’s retirement. Now that his Bat is back, is time to come back and he will do it in a way no one will ever forget…especially Batman. I was always worried about his characterization on the movie since later his voice casting has not been so successful.  After all, Miller’s Joker is so well…Miller’s, and thus not easy to handle. He needed a voice that could be both suave, maniacal, psycho with a touch of charm.  I think Joker had found his new voice with  Michael Emerson, a new comer to the franchise.

This movie does not show much, but it includes  nifty preview where we get to hear more.  Here is the TDKR Part 2 sneak peek:
THE VIDEO HERE WAS REMOVED BY THE USER…WILL FIND ANOTHER SOURCE SOON!

 

I love how Emerson is capable of mixing the charm and the psycho in his interpretation.  He seems to enjoy the Joker’s own twisted psychosis, to bring his best to this bad boy.  I was impressed in what I saw, and was relieved that this was a Joker that definitely I would like to see.

Now, remember, this is Miller’s version Joker, set in a total different place than continuity.  Wonder if Mr. Emerson could cause such a big mark on the character as to make him his own much in the way Mark Hamill did with his version (that lasted for over 2 decades and covered animation and video gaming).  Could he pull off the Joker from KILLING JOKE or any other Jokercentric story translated to the screen?  I will wait until I see the WHOLE performance to emit my opinion, but I have said this before in another post, I have a hunch Joker is in good hands.

For other points of view, more detailed reviews can be read at:

Sep 222012
 

harleyquinnarkcityI had mentioned it before,that there are going to release an ARKHAM CITY: HARLEY QUINN ( see post on December Joker solicitations HERE), but the guys at DC Comics have a nifty video of the little statue from every angle.  Enjoy and add to your wish lists as the statue is released on 2013:

 

 

(Video courtesy of DC Comics)

Sep 202012
 

Newsarama contributor Vaneta Rogers sat with BATGIRL ‘s writer Gail Simone to talk about some aspects of the title.  Among them they spoke of the effects of the upcoming DEATH OF THE FAMILY Joker storyline in the Batgirl storyline.  Here are just some highlights of the interview. You can read the whole interview HERE:

coverbatgirl14 Batgirl #14 will begin the title’s “Death of the Family” tie-in, with Joker and Barbara Gordon colliding for the first time since the villain brutally attacked and injured her.

(…)

Nrama: Now that readers have been introduced to Barbara’s status in the New 52 and you’re finishing up your first year of issues, how would you describe Barbara now, in comparison to her debut in issue #1? How do you think she’s grown, and how do you think she’s still dealing with some of the same issues we saw in her introduction?

Simone: I spent a lot of time speaking with specialists and survivors about this, and one thing we saw with trauma survivors over and over was, the nightmares often go on even after the body heals. It’s not weakness, it’s not self-pity, it happens to the bravest people on Earth; soldiers, police, on and on. And Barbara being who she is, she finds herself wondering why she is regaining her mobility when so many will never have that option. Because of her experiences over the first year, she’s having to grapple with it. But again, she’s Barbara Gordon, she will find a way.

Nrama: Looking back at the first few issues of your run, the events of The Killing Joke played a big part in Barbara’s introduction as Batgirl in the New 52. Why did you feel like that was important to incorporate that into the title after introducing the character in #1?

Simone: Here’s the thing, Barbara has always been about inspiring people. She may have been created to boost ratings or whatever, but, the sheer force of having a brainy woman kicking ass in the comics and on television can’t be overstated. And of course, Kim Yale and John Ostrander turned lemons into the best lemonade ever by giving Barbara a purpose and glory after the Killing Joke. I didn’t want to do the book if that element, that inspiring quality, wasn’t part of the mix. I get that not everyone agrees, but we have had endless lines of people who have experienced some massive trauma who found something to believe in with Barbara’s story. In the end, it’s supposed to be entertaining, first. That’s still the primary goal. But heroes who struggle are so much more meaningful to me. Most of us have struggled, but we don’t often see that portrayed as comics move more towards big stories and spectacle.

Nrama: Her emotions over the events of The Killing Joke still don’t feel completely resolved, because she hasn’t had to deal with the Joker again. Since we’ve heard about the return of Joker in “Death of the Family” in the Batman title, and DC has implied it will touch other members of the Batman family, will Barbara be confronted more directly by the villain in your title?

Simone: “Resolved” is kind of a tough word, here. There’s definitely a feeling out there regarding this stuff that someone is fixed or not fixed, like an on/off switch. It’s not that binary, but she is facing this stuff head on. And I am pretty sure a Joker/Batgirl story is inevitable, but I can’t say more than that. Think of two trains on the same track facing towards each other…there’s nowhere for either of them to go but towards collision.

Nrama: And that collision occurs in your “Death of the Family” tie-in to Scott’s Batman story?

Simone: Yes. It is the once-and-for-all confrontation between the Batgirl and the man who shot and paralyzed her. It does not go as he expected. This story starts in issue #14, and I have to say, it’s pretty shocking. That’s all I’ll say right now, however.