Oct 112012
 

nyccbat13-1It was past midnight and could not help myself.  Even when I have a few copies of BATMAN #13 reserved and waiting for me at home in Fla.  I had to read it so I bought a digital copy and OMG!!!

You have to start reading this Joker story arc.  I was a little concerned with the characterization after all the radical changes they have made to Joker since his reboot, but after reading BATMAN #13 I guess I can put my fears aside because Joker seems to be in good hands with Snyder and Capullo.

This is definitely no pre-52 Joker but is not a Ledger Joker remake either (thank God for that).  Like Snyder  had promised, this Clown is all Joker at the core but reinvented with a nightmarish twist and so far I am pleased with wha I’ve read in this first issue.

SPOILERS AHEAD…BE WARNED!!             SPOILERS AHEAD…BE WARNED!!

1.  It is a normal day in GCPD until a “Forget Me Not” delivery truck arrives with a very special package…

Truth be told.  Joker’s wa arrival to GCPD  was quite theatrical.  From theirony in the name on the truck to the whole set up, it is all just a big performance for the Clown.  He enters GCPD and delivers his own brand of mayhem and death leaving corpses behind and torturing Gordon along the way.  This Joker is much more personal as he asks “How is Barbara?” and teases Gordon with a hide and seek game.

2. Everything returns to the begining.

And when I say the beginning, I mean the 1940’s beginning, as Joker announces he’s going to take down the mayor in a scene that reminds readers a lot of Ledger’s “Are You the Batman” video scene from TDK.  The Joker has spoken, but that does not mean he has to follow the same old script he did so many years ago. This Joker is improvising, renewing his act andthis time it is not the Mayor, but the Mayor’s protective escort who get snuffed.  Batman is left in the fog, as he himself realizedhis was not what he has expected. The Clown has become really unpredictable.

3.  Harley as the Red Hood…just delightful.

She’s wearing the clothing, but she’s not the heart.  It is the Joker’s voice all through the re-enactment at the ACE Chemical company.  Joker is bringing everything back to the beginning and Harley serves as messenger that things are now very different as she stated…”this is not my Mr. J” anymore.  This scene makes much more sense after reading the backstory which is Joker’s reunion with Harley…and the new chemistry that comes between them.  Now if this is not Joker….where the hell is the Clown?

4.  The ending… totally AWESOME!

Joker makes a visit to the Wayne Manor and finds Alfred Pennyworth an unwilling victim.  Makes you wonder if Joker DOES INDEED know Batman’s identity or he’s simply selecting random victims he knows are somewhat related to the Batman…

5.  The backstory…literally terrifying.

Forget the Harley-Joker chemistry of the BTAS, this is just humilliating and taunting.  Joker plays with Harley in every level possible, beating on her emotionally and mentally…all this without a single punch or push.  Joker reminds Harley HE MADE HER to his image, and that there was no emotion or physical attraction in the process of creation.  Joker is totally detached from any emotion as he focuses on Harley as part of a plan, much like a wheel is part of a car.  I am sorry for those of you who were expecting a…more romantic reunion, but I think this Joker is more attoned to his reality within the comics.  I am not saying they should not be together…is just that this Joker has become much more than one can really handle, even Harley.

I personally think that Snyder and Capullo have been able to bring forth the best of all posible worlds (comicverse, Nolanverse, Arkham City, maybe even more) and mix it in a pot to reinvent a Joker that respond to his surrounding world with such a violence that I don’t know if even Batman knows what he has in his hands.  And it promises to get even more personal.

It is really early to say if this story arc is going to be successful or not since many Joker stories started with so good intentions only to disappoing on the execution and conclusion, but while speaking with Mr. Snyder briefly during a signing today, he promised  that there is much more to come.  That Joker’s revenge has just started and that the Clown’s mind was a “strange and dark place to be”.  From previous interviews and what I have just read in this issue, I think he does have a grasp of the Joker’s psyche, and this might just be one of the most interesting exploration of the most iconic villain of all times, and this might change Batman deeply as he is unable to keep Joker far, but instead…like a cobra, the clown keeps hissing and attacking at the Achilles’s tendon of his enemy.

I am willing to follow Snyder and Capullo on this journey so far.

Can’t wait to read what happens in the next chapter….oh, and don’t forget the tie-ins! Let’s see where all this takes us.

Oct 102012
 

#1  

Ryan K Lindsay had the great honor of reading BATMAN #13 and shared his insight with the crew at CBR this week.  His assertive comments makes my anxious self calm down a little, maybe this will not be a flop, but the beginning of a new chapter in Joker characterization and writing.

WARNING!! SPOILERS AHEAD!!                     WARNING!! SPOILERS AHEAD!!

jokers-back“Batman” #13 kicks off “Death of the Family” as Scott Snyder and Greg Capullo introduce their take on the Joker. After a year’s absence from the DCU, the Clown Prince of Crime returns to bring his deadly humor to Gotham and the Bat family. Joker is the obvious choice for a Bat villain and most “Batman” creative teams take a shot at the character. With this weight behind them, Snyder and Capullo manage to craft an intensely horrifying and delightfully creative set up for an amazing Joker story.

The issue opens with a worried Jim Gordon, whose fears come to gruesome life when the Joker suddenly appears in Gotham City Police Department as the lights go out. Snyder’s densely structured action makes readers feel the palpable tension and violence of the moment. Pages run up to twelve panels to slow down each beat of the Joker’s maniacal plan within the darkness around Commissioner Gordon. Snyder emphasizes that while the Joker’s presence is one of brutal violence, the true underlying terror comes from knowing the psychological manner in which he destroys his victims. It’s a shiver-worthy moment when the Joker reveals how close he is to his marks.

Snyder offers a familiar and comfortable, yet completely new, take on the Joker and keeps the brutality on a high stakes level. The scene of the Joker on television re-enacting his first threat to Gotham is delivered in a terribly dastardly way — a testament to Snyder’s handle on the character’s voice.

Over the past year, Greg Capullo and Jonathan Glapion have demonstrated their profiency in the world of Batman. Snyder’s story allows them to depict an even darker edge of Gotham and they bring the horror. Brilliantly, the art doesn’t try to revel in the goriness of the danger, but rather the underlying visceral horror of the mind. Capullo and Glapion give a peek at how the art team renders the standard Joker in an early panel, which makes the shocking reveal at the end all the more frightening.

The back up co-written by Snyder and James Tynion IV with Jock on art is superb. It’s difficult to compare a six-page tale to the 20-page main feature because each is structured to do something different. The bulk of this issue starts an arc and sets all the pieces in motion. The co-feature is like a deleted scene presented for more character background. It’s set between the raindrops of the main title, which means the reader knows what is going to play out, but the story is more about how it all takes place. “Tease” is about the Joker bringing Harley Quinn into his plan with a pace and razor edge tension that creates an example of a perfect back up. It adds more to the main tale while not being overtly necessary. This is a perfect vignette in every single way.

“Batman” #13 is the sort of introduction every story deserves. The Joker is dramatically presented and reintroduced across multiple scenes. Snyder and Capullo deliver some excellent sequences of terror that cut to the quick of the Joker as a real threat. Apart from a few slower pages, this issue zings along with threats and terrible moments of sheer glee at a villain being the worst. The Joker is out to kill the whole Bat family — and this issue makes it feel like he might be able to pull it off.

Man….I can’t wait to read this issue now!!

(Orignal aticle appeard in CBR HERE.  Pictures courtesy of Comicvine)

 

#2

Another great review from Newsarama’s own David Pepose adds to the anticipation of the release of BATMAN #13 tomorrow.  Check this one out…David gives it a 10 out of 10!!! I am intrigued indeed:

batmanrobin15Scott Snyder and Greg Capullo’s first arc was to bring back the Bat — to show that he was the top dog, the biggest badass of the DC Universe. By the end of “Night of the Owls,” that mission was handily accomplished. And now, for their second epic on Batman, Snyder and Capullo are upping the ante even further.

You can almost hear the sick chuckle. The Joker has returned to Gotham City — and like any good showman, his entrance is pitch-perfect.

While I enjoyed Scott Snyder’s plotting and pacing during “Night of the Owls,” there was always a part of me that felt that it was Greg Capullo that really made that story, that it was a hit more because of the stellar art rather than just the writing.

Well, Scott Snyder is making me eat my words right now — his Joker is downright terrifying, a monster in the shadows that very much evokes Heath Ledger’s guttural anarchist from The Dark Knight. “Stop me if you’ve heard this one before!” Snyder’s Joker is a shark, a force of nature that by his very gravity pulls in the rest of the Batman family in his wake. For better or for worse, he is a member of Bruce Wayne’s nearest and dearest — in Snyder’s hands, the Joker gives everyone else context.

And that’s just the exposition. There’s plenty of suspense and action to this book, with Snyder and Greg Capullo really knocking it out of the park. I love the strobe effect Capullo works in as the Joker begins picking off victims in a darkened room. Capullo’s edgy lines also really bring up the heightened tension as Batman shouts his frustrations — and his fears — into the darkness. There is one moment near the end where the storytelling does take a hiccup, but a second reading will only heighten the danger Batman finds himself in.

Since the New 52, Batman has been blessed with an indomitable winning streak, thanks to Scott Snyder and Greg Capullo. But it’s even more exciting that this issue is their best one yet. The Clown Prince of Crime might be at his most murderous, but make no mistake — he’s going to put a smile on your face.

(Review originally appeared HERE)

Sep 152012
 

DC Blog revealed the alternate cover of issue  BATMAN #13 that begins the Joker-centric story arc DEATH OF THE FAMILY. Here is a preview of the cover by Aaron Kuder and as always, artists are holding on revealing the Joker’s final look for the series…I hope they don’t disappoint.

Still, nice cover (even the a la Ledger shoe style instead of the classic spats)…I hope they have sketch version of this cover too…

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Aug 302012
 

Our good friends at GOTHAM SPOILERS were able to get some pencils for the upcoming Batman #13 that mark the Joker’s return in the story arc “DEATH OF THE FAMILY”.  Here are some of the nice scans…

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(Pictures courtesy of GOTHAMSPOILERS.COM.  For more scans visit the site.)

Jul 222012
 

batman_jokerpromoThought I was just going to leave this as a footnote to my previous post on Greg Capullos’s warning about the Joker’ look  (that you can read HERE), but it became more of an statement, so decided to make it a whole post….sorry guys.  Bear with me.  This are just my opinions

 

Ok, a few things I wanted to point out from this article:

1. “He really is going to obviously, have a new look,” Snyder said. “At the same time, we want it to echo his iconic look.”

So the change is dramatic, but not out of the charts horrific? I would really see how they could pull that one out since the Joker has literally lost his face. I understand the new look issue, this is a whole new universe and definitely after the success of Ledger’s Joker, the public is probably ready for a much more “scarred” Clown Prince of Crime. Joker can be scary and more threatening,but giving him a set of “real scars” will be much too close to Ledger’s Joker’s appearance and though many loved Ledger’s reinterpetation, I don’t thiik the fans want a Ledger copycat (Ledger J belongs to the Nolanverse). They just want a sensible, terrifying reinterpretation of an icon, while keeping what has made him the perennial nemesis of the Batman in his long lived comic run and hearing them say: “…he’s still himself at his core.” . Hope they can keep that promise.

 

2. But then, my expectations get stunted when I hear say “Now I can go down the road of, like, Texas Chainsaw Massacre stuff”

I REALLY TRUST YOU Mr. Capullo as much as trust Mr. Snyder plotting this new chapter in Joker’s presence in the DC Universe, but remember…you are not writing a horror flick here, and you promised keeping Joker’s core. Joker is not Leatherface, nor Freddy Krueger neither is he Jason, He is the Joker, the Clown Prince of Crime. But still, I respect your artistic freedom to reinterpret Joker for the modern audience.

 

3. When Capullo said that in Batman #0 …“ the biggest challenge is drawing the Red Hood gang, and having to make some pill helmet look cool and look bad-ass. ”

Is the artist implying that he’s also planning on including a new origin version for the Clown Prince of Clown? Well, if this Joker is that different from the one in the Pre-52 universe, it might need his origin revamped for the new times and new audiences, but I hope that is not adding another page to the already large file on Joker origin stories out there. Some well made (Killing Joke blackflashes), others would have been better if they never existed (like Lover’s and Madmen that truly never added any dimension to the Joker or his origin). I will be looking for this Batman origin retell, and see if DC has finally decided to do more character oriented stories. If it worked for Chirs Nolan in The Dark Knight trilogy, it might work in comics book too. Again we don;t want a Nolanverse copycat, Joker fans just want well written stories, that seem to be lacking lately in the DC line-up.

 

4. “We’re turning the Joker up a notch, you know? If you can turn the Joker up any higher.”

I can see why Capullo is getting to, After TDK, we have learned to see Joker in a more menacing, and dangerous way. And let’s face it…he made money. He is really a force of nature that Batman needs to contend with, but at the same time the phrase makes me shudder. How much higher could you turn up the Joker’s behavior before turning him into a thristy bloody killing machine, thus losing the core of the Joker we have learned to love in comics. Remember Joker is more than just a murderer, he is (in my humble opinion) the twisted version of Batman. An evil twin brother, the chaos of the world against the order of the Knight.

 

5. And I was thrilled when Capullo admitted that Joker’s return will affect not just Batman, but many other Batman related comics. The Clown’s return will reverberate all over Gotham City and probably the DC’s New52 Universe: Remember to check out:

Batgirl (A no brainer, since it was the Clown Prince of Crime who crippled Barbara Gordon. Would she fight the demons from that horrific night at the same she fights this new terrifying menace?)

Batman and Robin (Still can’t forget that wonderful Joker phrase that he was just “…differently sane”)

Suicide Squad ( who would not want to know what will happen when Harley Quinn realizes that her puddin’ is back. How will this new Joker see her old henchwoman now that he is rebonr?)

Nightwing

Red Hood and the Outlaws (Again, Jason’s transformation into the Red Hood is direct result of what he went through after Joker “killed him”–assuming they keep DEATH IN THE FAMILY as cannon in this new stroyline. How would Jason react to the Clown’s return?)

Teen Titans ( this one I need to see why it woud be such an important interaction…the new robin?

Catwoman (in the past pre-52 Jokerhas had storylines with Catwoman, but how this new Clown relates to the Feline Fatale? Is tere more than meets the eye and a new secret connection that needs to be revealed ? That might be interesting to see)

Jul 212012
 

In an article written by Vaneta Rogers for Newsarama, Greg Capullo has a warning for Batman readers about the Joker storyline he’s writing.   Here is the report in question…

Before reading the intense, horrific scenes in the “Death of the Family” storyline that begins in October, readers with health problems might want to check with their doctor.

Capullo is one half of the creative team behind DC’s best-selling title Batman, working with writer Scott Snyder on the book ever since it relaunched last year as part of the publisher’s New 52 initiative.

In the title’s next storyline, which begins in October, Snyder told Newsarama that Capullo gets to tweak the Joker’s look thanks to his last appearance. In Detective Comics #1, The Joker had his face removed, severed from his body, allowing the next artist to give the character a new visual interpretation.

He really is going to, obviously, have a new look,” Snyder said. “At the same time, we want it to echo his iconic look. So it’s Joker in a much more horror movie fashion. But, without giving too much away, you will see the iconic face and the grin, and he might look a little bit different and scarier. But you’ll find that he’s still himself at his core. And he’s really here in his blood-stained clothes going to work.”batman_jokerpromo

Titled “Death of the Family,” the Joker story will run for five issues beginning with October’s Batman #13. The final issue of the Joker storyline will be oversized, and Capullo’s redesign of the Joker will also be featured within tie-in comics in titles like Batgirl, Batman and Robin, Suicide Squad, Nightwing, Red Hood and the Outlaws, Catwoman, and Teen Titans.

With last week’s issue #11, Capullo and Snyder just finished their debut story, “The Court of Owls.” Capullo will now take a break for one issue (as Batman #12 features guest artist Becky Cloonan), but will return for September’s Batman #0 before the Joker storyline starts.

Snyder told Newsarama in June that Batman #0 issue will tell a still-unseen part of Bruce Wayne’s past.

“[Batman #0] will give you an important slice of Bruce’s life from when he first gets back to Gotham after his travels,” Snyder told Newsarama. “It will happen within the shadows of Batman: Year One, taking place in a moment of time that you haven’t seen. And I think it will be very surprising to people and exciting. You’ll see some things that will catch you off guard and will get you excited to see what’s coming.”

In the first installment of a two-part interview with did with the Batman artist, we asked Capullo about his plans for the title’s #0 issue and what readers can expect from his Joker.

Newsarama: Greg, now that Court of Owls has finished up, you’re taking a break for issue #12 before doing issue #0, right?

Greg Capullo: Yeah, it’s the only opportunity I’ve had to take a break. I had initially wanted to do it all, but it just wasn’t feasible, so I had to make a choice. And the choice was, do I break off at #0 or do I break off at #12? And I just thought, “I really want to do this origin in #0.”

So that’s what I’m working on while someone else handles #12.

Nrama: In issue #0, what’s different about the Bruce Wayne we’ll see? He’s younger and more inexperienced, right?

Capullo: Yeah. This is definitely pre-Bat. He’s not staying in Wayne Manor yet. And we don’t have the imagery of the Bat yet.

So this issue is more like Mission Impossible or James Bond, in the sense that he’s got all the cool tech, so you get all that, but without any of the pointy ears or cloaks, you know? So that part is kind of cool, because it’s definitely a different slant.

All that is suddenly familiar, for me, drawing Batman, is gone. So that was a little bit of a challenge, you know?

But it’s kind of cool because Bruce is not the very even-keeled guy who’s methodical and doesn’t get riled. He’s not to that point yet.

Because of that, he can have a knee-jerk reaction. He’s got a lot of temper that’s not quite simmered and under control yet.

So you see some of his impetuous behavior in the book. In what I’m drawing right now, I have Bruce in a very, very bad situation. So it’s interesting to see him handle that in a little different way because it’s so early in his career.

Nrama: Have you gotten to draw earlier versions of some of the villains of that era around Gotham City? And has that been a challenge to update them for the New 52?

Capullo: Yeah, I have, and I’ll tell you the biggest challenge is drawing the Red Hood gang, and having to make some pill helmet look cool and look bad-ass. You just go, “How do I make that one tough?” You know? So that’s a big challenge.

And then there are a lot of guys wearing masks, so another challenge is portraying emotions, because emotion has to be solely relying on body language.

It’s a great exercise for young artists, if they want to figure out how to portray emotion without faces. Keep the face out of it. Then how do you sell how a guy’s feeling and thinking, just through his mannerisms and the way he carries himself.

This scene that I’m doing right now in Batman #0 is coming to a final shoot-out scene. So even though it’s early stuff in Bruce’s life, it’s still got action and is still great fun.

Nrama: Let’s talk about what’s coming up in October. When you heard you were drawing The Joker for your next storyline in Batman, what was your gut reaction?

Capullo: Well, as soon as I heard, my pants got very tight and my nipples stiffened. It was just a fabulous reaction. And I just said, “I have to do this.”

This is, like, super-exciting. Super-thrilling. I mean, what artist doesn’t want to touch The Joker? He’s just the coolest and the most badass, the most evil, the most insane, and so there’s so much to play with.

And the fact that so much has happened to the Joker prior to where we’re picking him up, with the severed face, we’re going to be able to run with that now.

Nrama: So did you and Scott talk about the best way to handle that severed face? We’ve only seen the cover, which is kind of a tease that his face is different now.

Capullo: Yeah, Scott and I are working on the details now of how we want to handle that. We’re putting together some visuals for the story now. It’s going to be very different than what people have seen with The Joker prior.

jokercover13-2Nrama: Are you at all disappointed that he looks different? Or are you still able to portray enough of that Joker look that it’s still the character we know and love?

Capullo: You know, I’m happy to be doing this because I look at it as an opportunity to have fun. So no, this is going to be a blast.

Let’s put it this way. I would have put my own slant on the way the Joker looks traditionally anyway.

Now I can go down the road of, like, Texas Chainsaw Massacre stuff.

And I’m a heavy metal guy, so stuff like Slipknot pops in my head, you know? So I’m going, “Yeah! Something really, really dark and creepy!”

It amplifies it. We’re turning the Joker up a notch, you know? If you can turn the Joker up any higher.

Nrama: It sounds like you don’t have the exact look ironed out yet and I’m sure it’s early in the process of you drawing the story, but what can you tell us about the ideas you two have for The Joker storyline overall?

Capullo: Well, you know, Scott takes everything to 11, as do I. So it’s going to be over-the-top, over-the-edge Joker stuff.

I mean, everybody saw what we were able to do in the first Batman story. And this will be even more dark, more twisted, more violent.

I guess after so many years of doing that kind of stuff, I guess, in a way, I enjoy it a bit. So it’s going to be great to get my hooks into that stuff.

Nrama: Then before we talk about last week’s finale for Court of Owls, what do you want readers to know about the Joker story that you and Scott are doing for “Death of the Family?”

Capullo: I would say that if you have any kind of heart conditions, or any kind of medical issues that could cause seizures or what-not, that you should check with a doctor prior to buying this story arc, because we don’t want to be responsible. DC does not want to be responsible for any fatalities or hospitalization or young or old people who may encounter this story and it just simply be too much for their system.

So I would say, check with your doctor prior to picking up Batman #13.

(original article posted  HERE by Newsarama staff contributor Venata Rogers July 17).

Remember Batman #13 goes on sale October 10, 2012!!!

Jul 182012
 

Man, I’m trying to takes things easy. Put my expectations so high for the new Joke story arc that Snyder and Capullo are brewing is not something I want to do now. Not because of them, but because of the other writers before that promised so much and hardly delivered half of what they promised.

But Snyder keeps throwing snippets of information that just peeks my curiosity even more.  I am really looking for the october issue of Batman to see what they have concocted for the Joker fans out there that miss the o’l Clown.  Here’s Snyner’s latest  tease from a panel at SDCC:

Some preview art was displayed of an upcoming Joker arc. Snyder told the crowd that it’s been too long since there’s been an epic Joker story. He asked the crowd to shout out the last great Joker story they remembered. Most answers were older books, like “The Killing Joke” and “Arkham Asylum.”
“What I’m asking you is, why hasn’t [Joker] been in comics in fucking 10 years? Besides movies and animation? Where is the great, big Joker story where he says ‘F-U Batman, I’m back?’ Where has that been?
If we do the Joker, it’s got to be the biggest, baddest blood-on-the-floor story,” Snyder said, to applause. “No one will want to touch him for another 20 years.”
Snyder said his take on the Joker is essentially that the Joker thinks he serves Batman. He brings Batman’s worst dreams to life.
“And if [Batman] doesn’t respect that, and you get fat and slow, I’ll have an axe to grind, and I’ll come after you,” he said.

MAN! I CAN’T WAIT FOR BATMAN 13!!